A noise you hardly notice may enter your mind sometimes and, in a strange transformed way, become part of your thoughts. An experiment exploring this phenomenon was completed for the U.S. Public Health Service recently by Dr. Fred Pine, a New York University psychologist His results could shed some light on subliminal advertising, the technique in which a slogan is flashed on a screen so quickly you do not realize you see it. When this technique first received public notice, it was assumed that if, for example, the slogan "See Your Dentist Twice a Year" were flashed, the unsuspecting audience would tend to do just that. But Dr. Pine's experiment indicates it is not that simple. The slogan or noise seems to enter your mind. But it does not come out in conscious thoughts just the way it entered. In fact, images may pop up so different from the slogan or noise that only a psychologist could tell they were related. This would not do an advertiser much good. In the case of the dentist slogan, flashing it would probably not send anyone off to have his teeth examined. But it might cause some one in the audience to dream later that his is a lion tamer staring at the gaping jaws of his animal...

In the world of U.S. Commissioner of Narcotics H. J. Anslinger, the drug addict is an “immoral, vicious, social leper,” who cannot escape responsibility for his actions, who must feel the force of swift, impartial punishment. This world of Anslinger does not belong to him alone. Bequeathed to all of us, it vibrates with the consciousness of twentieth-century America. Anslinger, however, has been its guardian. As America’s first and only Commissioner of Narcotics, he has spent much of his lifetime insuring that society stamp its retribution in to the soul of the addict. In his thirty years as Commissioner (Anslinger is now sixty-seven), he has listened to a chorus of steady praise. Admirers have described him as “the greatest living authority on the world narcotics traffic,” a man who “deserves a medal of honor for his advanced thought,” “one of the greatest men that ever lived,” a public servant whose work “will insure his place in history with men such as Jenner, Pasteur, Semmelweiss, Walter Reed, Paul Ehrlich, and the host of other conquerors of scourges that have plagued the human race.” But some discordant notes, especially in recent years, have broken through this chorus...

ON MARCH 4, the 4,309-ton French freighter La Coubre, carting seventy-six tons of Belgian grenades and ammunition to the army of Fidel Castro, exploded in Havana harbor, killing more than seventy-five seamen, dock workers and firefighters. The series of deadly blasts triggered a series of sensational questions that hit headlines in both the United States and Cuba. Had an American agent or anti-Castro Cuban slipped aboard and left a time bomb in the hold? Had a careless dock worker dropped a match into the munitions? Had a cargo net snapped, unleashing crates of grenades against the deck? Had a plane sneaked low across the harbor and tossed bombs into the freighter? Other questions, tinged with less excitement, were also evoked. But, too theoretical, old and uncomfortable, they made few headlines. They are questions which have arisen time after time, applied to incident after incident, in the last decade. Their most cogent expression came from Colombian liberal Eduardo Santos in 1955. “Against whom are we Latin Americans arming ourselves?” he cried out before a Columbia University forum...

THE BRUISED cultural feelings of Washington received a fillip of sorts during the week of April 17, when twenty-eight writers and artists from eleven countries assembled for an annual congress sponsored by the capital’s Institute of Contemporary Arts and financed by the Ford Foundation. The roster included Italian Nobel-Prize poet Salvatore Quasimodo, American poets Richard Eberhart, Stanley Kunitz and Allen Tate, England’s critic-poet Sir Herbert Read and potter Bernard Leach, French poet Yves Bonnefoy and Brazilian novelist Erico Verissimo. Keeping close to a prepared schedule, they ate, drank and partied together, delivered lectures, plunged into panel discussions, declaimed poetry and exchanged views on the theme of the congress — the status of the artist. Leach even potted. While these activities did not tear headlines from the other major events of the week (the convening of the Daughters of the American Revolution and the opening of the Washington Senators’ annual drive to soar higher than eighth place), enough occurred to make Washington cultural buffs puff out their chests and, for at least a week, forget Howard Taubman...

The underdeveloped nations of the world can't terrorize each other in a nuclear arms race. Instead, they pant through a small arms sprint. While the great nations thunder missiles into space, the weak nations gobble up the rifles left behind. There are recent - sometimes dramatic - examples. Last March 4, the French freighter La Coubre exploded in Havana harbor, killing more than 75 seamen, dock workers and firefighters. It was carting 76 tons of Belgian grenades and ammunition to the army of Fidel Castro. Last year, the new African nation of Guinea asked the United States to sell arms to her 2,000-man army. When the United States refused, Guinea bought three shipments of rifles from Communist Czechoslovakia. Conditions are perfect for this dash for little arms: 1. A glut of small arms on the world market. 2. A host of military governments and revolutionaries hungrier for guns than bread. 3. Help from major powers in satisfying that hunger. There is no official estimate of the amount of small arms available on the world market during a year. But some light on the market's vitality is shed by news dispatches and government reports of transactions...

ONCE A YEAR America dances in a comic ballet against the backdrop of a world of terror. The dance masters call their creation, Operation Alert, fitting it snugly into a continuous show entitled, Civil Defense. This year’s show took place May 3. In New York, Civil Defense authorities qualified the Men’s Bar at the Waldorf-Astoria Hotel as a shelter area, and 100 men continued to sip their highballs as three mythical nuclear bombs hurtled toward the city. At Yankee Stadium, bleacherites cowered under the stands while more affluent customers remained in their comfortable grandstand seats. Several Manhattan firms stopped work, but one company declared its 400 employees “automatically dead” and kept them on the job. In Washington, Congress ignored the drill, and President Eisenhower spent the day elsewhere. Only one top government official scurried from the city to his secret command post in Virginia - Leo A. Hoegh, Director of the Office of Civil Defense and Mobilization. The State Department set a new record as 4,000 employees tucked their secret papers into safes and rushed from the building in eight minutes (previous record: twelve minutes). Fifty-five schools stayed out of the drill, serving as polling places for the District of Columbia’s Presidential primary...

TO AT LEAST one Congressman, a sugar bill posed no problem. The issue was simple, Representative William E. Miller of New York, chairman of the Republican Congressional Committee, told his colleagues: You are either for Castro or against him. Since few praises for Castro have sounded through the chambers of Congress recently, Miller’s analysis, if accurate, meant that a sugar bill could be legislated with ease, speed and clarity. But the analysis was far from accurate, and when Congress, after a twenty-three-hour session during the Fourth of July weekend, finally did bring forth a sugar bill, its haggard members looked neither easy nor speedy nor clear. Their decisions had been shaped and pounded by unceasing and sometimes contradictory pressures — pressures so varied, fascinating and obvious that even a hurried survey of them can reveal some of the realities within our legislative process. The story of the 1960 Sugar Act is a case history in American politics. Despite Miller, the issues turned on much more than an attitude toward the Cuban Premier...

THE UNITED STATES hovers over the Dominican Republic these days, waiting eagerly for a reward. The reasoning is simple: Everyone sees that the regime of Generalissimo Rafael Leonidas Trujillo Molina is tottering; everyone knows the State Department nudged it a bit; surely, after the crash, the new regime will embrace the nudger. But, in the chaos and anger that will follow the fall, there will be no embrace. The sudden anti-Trujillo policy of the United States and the dramatic condemnation of the Dominican Republic by the Organization of American States (OAS) at San Jose have come too late to avert what State Department planners fear most: an anti-American, Castro-leaning successor to Trujillo. For thirty years, the United States has bolstered the brutal tyranny of El Benefactor. Now that his enemies have him on the run, the United States has jumped to their side. For the final push, this new aid may be accepted and used; but the United States will receive in return only a few cold stares, a polite nod, contempt, smoldering bitterness. However, there are degrees of bitterness and contempt, and the exact character of the post-Trujillo regime will depend on the forces used to overthrow the Generalissimo...

JOHN CRAMER of the Washington Daily News recently reported the mounting cries of complaint from Post Office workers under pressure to buy U.S. Mail, a book by the Department’s leading literary critic, Postmaster General Arthur E. Summerfield. “Not enough of our employees have bought it,” Cramer quoted some supervisors as telling postal workers. “It’s been suggested we really ought to make a better showing. . . . We think you ought to give us an assist on this.” Summerfield, his voice muted in this book through an “as told to” collaborator, surveys postal history, describes and defends present programs of the Department, and prophesies a bit about mail transport in the post-Summerfield, space age. The book would rank among the dullest ever written but for the fact that it appears at about the same time that another writer has decided to cover the same material from a very different point of view. Placed side by side, the views tend to tangle. Mailman U.S.A. comes from William C. Doherty, president of the National Association of Letter Carriers. Doherty is a jovial Irishman with a keen wit and, at least where Postmasters General are concerned, a bitter pen...

LUIS MUNOZ MARIN, Puerto Rico’s first elected Governor, remains in La Fortaleza. He sits in the Governor’s Palace, confident and pleased, for the jibaros of the mountains and countryside, in overwhelming numbers, have defied their Roman Catholic bishops to elect him to a fourth term. But, while confident and pleased, he also is uneasy. Despite his victory, a threat lingers, perhaps not to his power, but (more important) to the political stability of Puerto Rico. And, while the threat evolves primarily from clericalism, part of the threat also stems from Muñoz Marín himself. During the campaign, the flare-up over the tactics of the bishops, who issued two pastoral letters forbidding Catholics to vote for Muñoz Marín, obscured some of the political problems of Puerto Rico — the very problems that set the climate for the letters. The Governor’s rout of the new Christian Action Party, a creature of the bishops, tended to fill his supporters, particularly abroad, with a heady optimism, blinding them to the dangers still enveloping democracy on the island...

IN ARTES PLASTICAS, one of the government cultural magazines spawned by the Castro revolution, Manuel Diaz Martinez writes that “the artist must learn to help purify the revolutionary conscience of our Latin American brothers without ceasing to be an artist, without submerging his art in politics.” These words — surely contradictory — bare the dilemma of culture in Cuba today. Like all other revolutions, the Cuban upheaval of social and political institutions has stimulated a companion effort to uproot cultural institutions and nourish new and vital theatre, music, art, movies and writing. But this new culture can also wither under the upheaval’s propaganda demands. In Castro’s Cuba, no one doubts that cultural life today is busy, almost frenzied, but no one can be sure it is vital. Havana offers abundant evidence of activity: commercial and government playhouses show a varied theatrical fare. Foreign ballet and musical troupes, some of the world’s best, visit the city often; seats are available for the government admission price of 25c...