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drawing of Stanley Meisler by Sidney Wissner
Stanley Meisler
Stanley Meisler's latest book
was published on April 14, 2015
available now for order on Amazon.com and Barnes & Noble (BN.com) iconor at your local bookstore via IndieBound

Shocking Paris: Soutine, Chagall and the Outsiders of Montparnasse


Shocking Paris


When The World Calls: The Inside Story Of The Peace Corps
Peace Corps
United Nations: A History by Stanley Meisler
United Nations
Kofi Annan: A Man of Peace in a World of War
Kofi Annan
Los Angeles Times articles by Stanley Meisler
Los Angeles Times
Smithsonian Magazine articles by Stanley Meisler
Smithsonian
The Nation articles by Stanley Meisler
The Nation
Stanley Meisler with Nelson Mandela Stanley Meisler & Kofi Annan (2002) by UN Photographer Eskinder Debebe

Associated Press view select Associated Press articles by Stanley Meisler (1955 - 1964) on Ancestry.com

Iran
In the late 19th century, everyone looked on Gustave Caillebotte as a leading painter of the Impressionists. He took part in five of the eight exhibitions that the Impressionists mounted. In fact, he organized and helped finance several of the shows. One displayed more than 25 of his paintings; another greeted visitors in the opening room with his stunning depictions of the new Paris. Caillebotte, a wealthy man, also purchased many paintings by his colleagues. He continually loaned money to an impoverished Claude Monet and paid the rent for his studio. Yet while the names of Impressionists like Monet and Auguste Renoir and Edgar Degas have lodged in the minds of all students of art for more than a century, there has been little or no room for Caillebotte. As Earl A. Powell III, director of the National Gallery of Art, puts it, Caillebotte "was left out of the early histories of Impressionism..."
NEWS COMMENTARY
July 25, 2015

Gustave Caillebotte's role in Impressionist history illuminated in 'Painter's Eye'
In the late 19th century, everyone looked on Gustave Caillebotte as a leading painter of the Impressionists. He took part in five of the eight exhibitions that the Impressionists mounted. In fact, he organized and helped finance several of the shows. One displayed more than 25 of his paintings; another greeted visitors in the opening room with his stunning depictions of the new Paris. Caillebotte, a wealthy man, also purchased many paintings by his colleagues. He continually loaned money to an impoverished Claude Monet and paid the rent for his studio. Yet while the names of Impressionists like Monet and Auguste Renoir and Edgar Degas have lodged in the minds of all students of art for more than a century, there has been little or no room for Caillebotte. As Earl A. Powell III, director of the National Gallery of Art, puts it, Caillebotte "was left out of the early histories of Impressionism..."
LOS ANGELES TIMES
July 10, 2015


Fame finally comes to little-known Renaissance master Piero di Cosimo
When American millionaires bought paintings by Piero di Cosimo in the late 19th century, almost all the works were attributed to other Italian Renaissance artists. Piero, a painter of Florence during its golden age, was simply regarded as too obscure to produce such masterful works. It took many decades for Piero to emerge even partly from such shadows. Not until 1938 did the private Schaeffer Galleries in New York mount a small show of seven paintings all correctly attributed to him. But there was no other Piero exhibition anywhere in the world in the 20th century. Art historians, however, continued to study the fascinating case of Piero, discovering more of his works, many of the highest quality...
LOS ANGELES TIMES
February 14, 2015

Dark Election
In 2012, when Barack Obama won reelection, an odd but thrilling metaphor engulfed me. The election was like the climax of one of those early Howard Fast novels. After enduring months of derision of their leader as somehow unAmerican and countless maneuvers to curtail their right to vote and incessant tirades against the poor for taking, not giving, after enduring all the despicable attempts to belittle and suppress them, the poor and the blacks and the Hispanics and the young and the women united and arose to defend their hero and astound and frighten all the smug fat cats. “What a wonderful thing is metaphor,” wrote Christopher Fry in one of his plays. Well, so much for metaphor...
NEWS COMMENTARY
November 17, 2014

Neoimpressionism exhibit makes points about poetry, music's influence
Museum exhibitions about the great artist Georges Seurat and his band of Neoimpressionists usually delve into the new scientific theories of light and color that made many painters in the late 19th century experiment with novel ways of applying paint to a canvas. Seurat and his friends used a technique known as pointillism — painting little dots of different color that were supposed to mix when they reached the retina of a viewer's eye. The best-known work is probably his monumental "A Sunday on La Grande Jatte" from 1884 now owned by the Art Institute of Chicago. All this emphasis on technique is turned upside down by an exhibition that just opened at the Phillips Collection in Washington...
LOS ANGELES TIMES
October 4, 2014


Soutine and Dr. Maisler

by Stanley Meisler

a fictional short story based on real people, not a memoir


Stanley Meisler is the author of Shocking Paris: Soutine, Chagall and the Outsiders of Montparnasse, Kofi Annan: A Man of Peace in a World of War, United Nations : A History and When The World Calls: The Inside Story Of The Peace Corps And Its First Fifty Years. Meisler served as a Los Angeles Times foreign and diplomatic correspondent for thirty years, assigned to Nairobi, Mexico City, Madrid, Toronto, Paris, Barcelona, the United Nations and Washington. He still contributes articles to the Los Angeles Times Book Review, Sunday Opinion and Art sections and writes a News Commentary for his website, www.stanleymeisler.com.

For many years, Meisler has contributed articles to leading American magazines including Foreign Affairs, Foreign Policy, the Atlantic, The Nation, the Reader’s Digest, the Quarterly Journal of Military History, and the Columbia Journalism Review. While most of these articles focus on foreign affairs and political issues, Meisler has contributed more than thirty articles on artists and art history to the Smithsonian Magazine...

"What is written without effort is in general read without pleasure"
Dr. Samuel Johnson (1709 - 1784)

drawing of Stanley Meisler by Sidney Wissner
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