On the Federal side of the Nigerian struggle many people seem unaware that a war is going on. There are, of course, minor discomforts — the nightly blackout in Lagos; the unavailability of cars, Scotch whisky and textiles; the increase in prices; and the soldiers, who demand bribes from civilians and push them around. But in general, the discomforts of war are minor. Obese men in enormous robes can still be seen scattering chips across the roulette tables at the Federal Palace Hotel. Nigerian businessmen are getting rich, for the restriction of imports is bolstering local industry and oil production is near prewar level. There are, of course, tensions and economic dislocations within Nigeria, but they are minor compared to conditions in Biafra, and Nigeria should be able to absorb them easily while still carrying on the war. Yet comparing conditions in the two regions may be pointless, for Nigerians may be unwilling to take as much as the Biafrans and may be more hurt by minor dislocations than Biafra is by major dislocations. Since assessing the will of the people and their capacity for discomfort is almost impossible, all one can say is that Nigeria looks very strong to a visitor...

LANCE SPEARMAN is a nattily dressed detective who sports a straw hat, bowtie and goatee. He likes Scotch on the rocks, buxom women, El Greco cheroots, and fast cars. He uses reverse karate kicks, his fists, and a hand gun to bring down such enemies as Zollo, the Mermolls, and Countess Scarlett. He is the black James Bond and the most popular fictional character in Africa today. In almost every English-speaking town of Africa, young men, most with no more than five years of schooling, sit on the sidewalks and read the weekly picture magazines that chronicle the adventures of Lance Spearman and other heroes like Fearless Fang, who is the black facsimile of Tarzan, or the Stranger, who is the black Lone Ranger. In Kenya, for example, the adventures of Lance Spearman have a greater circulation than any of the daily newspapers. This phenomenon of popular culture suggests a good deal about the tastes of ordinary semi-educated young men in the African towns — their yearning, their uncertain identification with the fringes of Western culture, their need for fancy in a harsh urban world. The magazines are known in the publishing trade as "look-reads." In effect they are photographed comics that resemble comic books, except that the action is photographed instead of drawn. Little balloons of dialogue appear over the heads of the characters...