Hidden Censors: The Post Office Polices the Mails
Hidden Censors: The Post Office Polices the Mails
Hidden Censors: The Post Office Polices the Mails
Hidden Censors: The Post Office Polices the Mails
Hidden Censors: The Post Office Polices the Mails
October 10, 1959
October 1959
IT IS fashionable in literary circles to snicker at Arthur E. Summerfield, the former Chevrolet dealer who may have produced one of the most publicized cases of poor judgment in the history of criticism. But the Postmaster General merely carried the logic of traditional Post Office procedures to their proper conclusion. Through the years, these procedures have led to the seizure of Tolstoy’s Kreutzer Sonata, Boccaccio’s Decameron, Aristophanes’ Lysistrata, Hemingway’s For Whom the Bell Tolls and Caldwell’s Tobacco Road as obscene literature, and Sholom Aleichem’s Bewitched Tailor, abolitionist pamphlets, discussions of the French Revolution, the Economist (London), and a Russian chess book as political propaganda. Vested with these traditional powers of censorship, Summerfield, a man who admits to reading little fiction, decided that D. H. Lawrence’s Lady Chatterley’s Lover “taken as a whole, is an obscene and filthy work”; literary critics and at least one federal judge decided otherwise. Snickering at this difference in judgment seems like misplaced energy. Rather than examine the critical faculties of Summerfield, it would make more sense to examine the censorship powers of the Post Office...
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