DESPERATE AND TENSE, the Southern segregationist swings hard, not looking at his club. As he battles for a way of life, he grabs whatever he can, and too often at hand is a weapon tinged with anti-Semitism. The fervent battle against Negro rights in the South has brought with it a subtle but powerful spread of hatred for the Jew. Few segregation groups have policies that include anti-Semitism. Most openly avow the opposite. But their criterion for propaganda is only that it attack the Negro and help keep him separated. This has left the field open for the hate drummer. He has discovered that his literature and speeches, filled with anti-Jewish sentiments, will be used as long as anti-Negro remarks are included too. For example, Robert B. Patterson, executive secretary of the Mississippi Citizens Councils, once issued a list of organizations from which segregationists might obtain reading material. “Some of these groups are anti-Semitic,” wrote Patterson, adding: "However, all of the religious groups, including the Protestant, Catholic and Jewish - have been pushing the anti-segregation issue and it is time for all of us to speak out for separation of the black and white races, regardless of our race or creed." But Patterson’s comments were too blatantly unclever...

THE ENTERTAINMENT EDITOR OF A large metropolitan daily works in so special a field only students too foolish or confident or romantic to be deterred by reality can set out for the job. Even if they dare, students have little to go on. Where do entertainment editors come from? How do they get their jobs? What do they do? Recently while preparing an article more concerned with theater than journalism, I tried to find out something about these men. Questionnaires were sent to entertainment editors on the newspapers of the 24 largest cities next to New York, whose critics were ignored because enough has been written about them and their special function. Cities smaller than San Antonio, Texas, also were eliminated, for their entertainment writers, when they have any, find little theater to worry about. Twenty-one answered...

The Jewish War Veterans called on state and national authorities yesterday to join in stamping out "terrorist activities" directed at Jews and their institutions. Benjamin H. Chasin, national commander of the veterans' organization, said Sunday's dynamiting of Jewish centers in Miami, Fla., and Nashville, Tenn., "clearly indicates a conspiracy reaching across state lines." In telegrams to Gov. Frank Clement of Tennessee, Gov. Leroy Collins of Florida and U. S. Attorney General William Rogers, Chasin added: "State and federal agencies should join in stopping what appears to be the beginning of organized, nationwide terrorist activities. Urge you use fullest powers at your command to find those guilty of perpetrating this outrage. Swift and dynamic action is the only deterrent to the state of anarchy. We offer you our fullest support." Anti-semitism has been creeping into the southern segregationist movement for several years. It has ranged from inflammatory literature to the weekend bombings...

THE FIRST Inter-American Music Festival opens April 18 in Washington. The festival originally had been scheduled for April of last year, and New Orleans, which aspires to be the modern hub of the Americas, was the site chosen. The selection aimed to blend the old musical tradition of the city with the more recent Latin American hue that has covered the port commercially. But several months before the scheduled opening, with almost all commissioned music completed, officials mysteriously called everything off. And the music has marked time for a year. In calling off the event, the authorities concerned mumbled an odd excuse: the postponement was due to a delay in construction of an outdoor concert stage near the shores of Lake Pontchartrain. This was the first inkling most New Orleanians had that anyone ever contemplated building such a stage, and since then there has not been another scrap of information about it. Last December 8, The New York Times, while discussing the upcoming event in Washington, offered a more logical excuse: the festival was postponed last year so that it would not conflict with the program of the Institucion Jose Angel Lamas in Caracas and the Casals Festival in Puerto Rico. But this, while justifying a change of time, does not explain the change of place. Both the initial announcement and the Times interpretation were too polite to hit the mark. New Orleans did not have a music festival last year because its businessmen, who have spent quantities of money and energy in the last fifteen years to attract Latin American trade, did not feel like wasting either to attract Latin American culture. The roots of the difficulty stretch to the nineteenth century, when New Orleans was the center of French Opera in the United States...